{"id":96,"date":"2023-01-02T21:36:33","date_gmt":"2023-01-02T20:36:33","guid":{"rendered":"https:\/\/mariusbax.no\/phd\/?p=96"},"modified":"2023-01-02T21:36:33","modified_gmt":"2023-01-02T20:36:33","slug":"pensum-digitale-endringer-film","status":"publish","type":"post","link":"https:\/\/mariusbax.no\/phd\/2023\/01\/02\/pensum-digitale-endringer-film\/","title":{"rendered":"Pensum: Digitale endringer &#8211; Film"},"content":{"rendered":"<p>Colbj\u00f8rnsen, Terje, Kim Taller\u00e5s, og Marius \u00d8fsti. \u00abContingent Availability: A Case-Based Approach to Understanding Availability in Streaming Services and Cultural Policy Implications\u00bb. International Journal of Cultural Policy 27, nr. 7 (10. november 2021): 936\u201351. <a href=\"https:\/\/doi.org\/10.1080\/10286632.2020.1860030\">https:\/\/doi.org\/10.1080\/10286632.2020.1860030<\/a>.<\/p>\n<p>Doherty, Thomas. \u00abWhy\u2019d That Movie Disappear? Welcome to Streaming\u2019s Memory Hole Era\u00bb. The Hollywood Reporter, 11. august 2022. <a href=\"https:\/\/www.hollywoodreporter.com\/business\/digital\/whyd-that-movie-disappear-welcome-to-streamings-memory-hole-era-12351974\">https:\/\/www.hollywoodreporter.com\/business\/digital\/whyd-that-movie-disappear-welcome-to-streamings-memory-hole-era-1235197486\/.<\/a><\/p>\n<p>Flueckiger, Barbara. \u00abMaterial Properties of Historical Film in the Digital Age\u00bb. NECSUS 1, nr. 2 (2012): 135\u201353. <a href=\"https:\/\/mediarep.org\/handle\/doc\/3205\">https:\/\/mediarep.org\/handle\/doc\/3205 <\/a><\/p>\n<p>Gibson, Johanna. \u00abChoose Your Plan: Amazon\u2019s Acquisition of MGM and the Streaming Wars for Our Cinematic Heritage\u00bb. Queen Mary Journal of Intellectual Property 12, nr. 2 (30. juni 2022): 165\u201371. <a href=\"https:\/\/doi.org\/10.4337\/qmjip.2022.02.00\">https:\/\/doi.org\/10.4337\/qmjip.2022.02.00<\/a>.<\/p>\n<p>Hesmondhalgh, David, og Amanda D Lotz. \u00abVideo Screen Interfaces as New Sites of Media Circulation Power\u00bb. International Journal of Communication 14 (2020): 386\u2013409. <a href=\"https:\/\/ijoc.org\/index.php\/ijoc\/article\/view\/13261\">https:\/\/ijoc.org\/index.php\/ijoc\/article\/view\/13261<\/a><\/p>\n<p>Johnson, Catherine. \u00abBeyond Catch-up: VoD Interfaces, ITV Hub and the Repositioning of Television Online\u00bb. Critical Studies in Television 12, nr. 2 (1. juni 2017): 121\u201338. https:\/\/doi.org\/10.1177\/1749602017698159.<\/p>\n<p><sup><a id=\"ffn1\" href=\"#fn1\" class=\"footnote\">1<\/a><\/sup>Lotz, Amanda D. Portals: A Treatise on Internet-Distributed Television. Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 2017. <a href=\"http:\/\/hdl.handle.net\/2027\/spo.mpub9699689\">http:\/\/hdl.handle.net\/2027\/spo.mpub9699689<\/a>.<\/p>\n<p>Napoli, Philip M. \u00abRe-Evaluating the Long Tail: Implications for Audiovisual Diversity on the Internet\u00bb. I Audiovisual Industries and Diversity, redigert av Ma Trinidad Garc\u00eda Leiva og Luis A. Albornoz, 1. utg., 85\u201399. Routledge, 2019. https:\/\/doi.org\/10.4324\/9780429427534-5.<\/p>\n<p>Taller\u00e5s, Kim, Terje Colbj\u00f8rnsen, og Marius \u00d8fsti. \u00abRelativ tilgjengelighet\u00bb. Norsk medietidsskrift 26, nr. 01 (2019): 1\u201320. <a href=\"https:\/\/doi.org\/10.18261\/ISSN.0805-9535-2019-01-02\">https:\/\/doi.org\/10.18261\/ISSN.0805-9535-2019-01-02<\/a>.<\/p>\n<ol id=\"footnotes\">\n<li id=\"fn1\">Finnes i en bokutgave som kan kj\u00f8pes, og som open-access nettsted. <a href=\"#ffn1\">&#8617;<\/a><\/li>\n<\/ol>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=mariusbax\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Colbj\u00f8rnsen, Terje, Kim Taller\u00e5s, og Marius \u00d8fsti. \u00abContingent Availability: A Case-Based Approach to Understanding Availability in Streaming Services and Cultural Policy Implications\u00bb. International Journal of Cultural Policy 27, nr. 7 (10. november 2021): 936\u201351. https:\/\/doi.org\/10.1080\/10286632.2020.1860030. Doherty, Thomas. \u00abWhy\u2019d That Movie Disappear? Welcome to Streaming\u2019s Memory Hole Era\u00bb. The Hollywood Reporter, 11. august 2022. https:\/\/www.hollywoodreporter.com\/business\/digital\/whyd-that-movie-disappear-welcome-to-streamings-memory-hole-era-1235197486\/. Flueckiger, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9AJuA-1y","_links":{"self":[{"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/posts\/96"}],"collection":[{"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/comments?post=96"}],"version-history":[{"count":1,"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/posts\/96\/revisions"}],"predecessor-version":[{"id":97,"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/posts\/96\/revisions\/97"}],"wp:attachment":[{"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/media?parent=96"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/categories?post=96"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mariusbax.no\/phd\/wp-json\/wp\/v2\/tags?post=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}